![]() There is peace to be found in simplicity. Cleanness: Sans-serif fonts are perfect when you're trying to keep your layout minimal, giving the viewer plenty of room to breathe as they take in your design.A few of our favorite reasons to love sans-serif fonts for graphic design: If you happen to be somebody who prefers something with a little less fanfare, there are countless sans-serif fonts to choose from. It all depends on what you like and what you're trying to go for. Some stay away from serif typefaces because they look "old-fashioned" many graphic designers prefer a slightly sleeker look for their work. Known for their delicate restraint and subtlety, these fonts tend to favor vertical stroke weight made bolder through the use of hairline serifs. Didone FontsÄidone serif fonts can be considered something like the little black dress of typography. It is at this point in time where we begin to see these typefaces take on more weight in their vertical strokes, evolving beyond the more uniform and regular foundation that old-style fonts had already established. This family of fonts represents the period of time separating old-style and modern serif fonts. Many old-style fonts embody an "italicized" vibe on the vertical axis, sporting diagonal elements that add a little bit of interest to some typefaces that may otherwise feel too clinical or straightforward. A far cry from the Gothic, black letter fonts that came before them, old-style fonts are designed to be readable enough to serve as the body of a large block of text. A product of the invention of the printing press, the first serifed fonts sought to unify the beauty of calligraphy with the utility of Roman numerals, which were simpler and easier to read.
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